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The Red House for Culture and Debate has the pleasure of inviting you at the last performŕnce of:

Egasimus the Actresses

Authors: Milena Stanojevic, Stella Krusteva, Margarita Petrova
Costume: Tihomir Trifînov
First independent project of the “MiStMa” theatre group



In it there are pieces of dialogues, monologues, statistics, dreams and documents (of actress’s and other (famous) artist’s lives). They are themselves, the dreams of themselves and actresses who change dozens of roles like the shoes of different characters; finally they perform their role of actress. The year of birth of every actress is connected with different events – political and economical, calamities and murders, artistic and scientific inventions. The statistics of those facts are verbalized together with the story of how each of them was born. They talk about different specifics of their bodies, their favorite moles, the foot size, births marks and shoulders.



Egasimus the Actresses is a performance about being yourself, being an actress, performing being yourself and an actress.

“... Margarita Petrova, Stela Krasteva and Milena Stanojevich perform a very natural and original theatrical confession. In their work, the three actresses remain truthful to what they are, to the dreams they have about themselves, performers changing a number of personages as if changing the shoes of different characters so that in the end they remain only with the role of actresses. The role that makes each of them feel “close to herself”….
39 grams newspaper, 2006


… If Petrova, Krasteva and Stanojevich have purposefully defined themselves as “debutants”, even though no one from the audience would have believed that, their performance could be interpreted as a manifest or a ritual of initiation. A manifest of the man of our time with all the roles he has to play, in which he has to wear the shoes of many characters until he uncovers and deserves his own personality.
A ritual of initiation into romantic subjectivism as the only way to preserve a kind of sincere individuality within the context of contemporary diversity.

….The generous presence of the three performers on the stage is their perfect evidence that they have always been actresses: in their dreams, in childhood, in the factuality of the past and the subjectivism of reality. “Egasimus the actresses!”

Literature newspaper, 24-30.01.2007

Participations and Festivals:


- 13th Biennale of Young Artists from Europe and the Mediterranean – Italy ( May 2008) http://www.biennalepuglia2008.org/
- Puzzle Festival – Bulgaria ( May 2008 ) http://www.puzzlefestival.com/
- 15th International Theatre festival “Varna Summer ” - Bulgaria ( June 2007 ) http://www.theatrefest-varna.org



- International Festival for Small Theatre Forms - Vratsa ’07 - Bulgaria ( May 2007 ) http://www.theatrevratza.com/
- 12th International Early Fal Semiotics School – “Semiotics, Image and Narration” – Sozopol, Bulgaria (September 2006 )
- International festival “Gravity Free Art 3” – Sofia,Bulgaria ( May 2006 ) http://www.redhouse-sofia.org/

Photos are made by Ivan Donchev (donchev.ivan@gmail.com) and Geo Kolev

For contacts: mistma@abv.bg

Supported by the Bulgarian Association of Cultural Managers, Biveda, the Swiss Cultural Programme in Bulgaria, the Slug Theatre at the NBU. In Bulgarian.

June 6 (Friday) 2008, 8.00 p.m
Red hall

In Bulgarian.
Duration: 60 min.
Tickets: 9/6 BGN







 

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